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As this was an imaginative response to the horse I decided to give it a pattern that one might expect with a zebra, but the colours are unique. The eyes are compounded and enlarged like a real fly. You might think that each lens is one of thousands which make the fly hard to swat but in reality the fly only has five eyes. The two that are enlarged semi circles that we see and then three smaller ones on top of its head. Even though it only has five eyes it is still hard to capture a fly by hand.

Being able to see the world differently has always reminded me of the “Scream” by Edvard Munch. He did it as a print and as a painting.

I don’t know about you but if somebody were behind me screaming the way this figure seems to be my reaction would be to turn towards the source and see if I was in danger, then see if somebody else was in danger. This makes me think that the scream is internal, expressed in the body but inaudible to the strollers further along the board walk.

Munch distorted the figure to emphasize the screaming and he moved the hands up on either side of the face, similar to the burial figures of ancient Peru. In researching this image I found various experiments by Munch where he tried different portrayals of the figure in the foreground. I also ran across a diary of his which indicated that his inner turmoil was real but was focused on what was being done to the land by those in his country. This would have made him an early environmentalist even though a number of people have used it for psychological pain.

It is one of the ugliest art pieces produced and yet it is one of the most memorable and has a place in art history because it is impossible to forget.

Edvard Munch

The wording of this title made me think of a magician with his paraphernalia. His wand,
rabbit, pigeon, cape and top hat.. The sign gives the info for the cartoon hence the
“Great Blu Heir Ron” Heron was reduced to “Heir Ron”.

Herons tend to collect in rookeries, such as the grey herons in the trees just before the
causeway leading to the Tswaassen ferry. Their quano covers the lower branches so
even if they are away foraging for shallow water aquatic creatures you can see where
they build their nests. For this reason I would not want to be one of the late nesters.

I will be participating in the ArtWalk in Nanaimo this year at St. Andrews United Church,
315 Fitzwilliam St at Wesley St in the Old section of town. It’s the building that has a
steeple and stained glass windows. The goal is to pair artists with businesses along the
downtown core, Commercial St., and the Old City.

I realize not everyone is in the area but please drop in if you are. All are welcome.
This will be the only place I display this year and your only chance to get the books I
illustrated and to see what I’m doing with my paintings.

Creating this cartoon reawakened how much fun I have combining creatures and/or
concepts. I loved putting wings and legs on fruit, while I kept the image simple. I
particularly like the eyes of the banana.

John Singer Sargent was an American artist who produced oil paintings and
watercolours from the 1870s until his death in 1925 at age 69. He was known for his
portraits and landscapes. His studies captured the brevity of lines he used and how he
was able to capture the essence of a place in his watercolours. Some of his landscapes
show his travels to Corfu, Italy and North Africa.

John Singer Sargent

Like Sargent I have kept a visual journal of our travels as it serves to remind me of
dates, and it got me doing watercolours and pen and ink. Here are some of the journal
entries from my sketches.

I found my older drawings from Salt Spring Island that launched me into my mechanical insect creations. I mentioned them in last months Blog about Dragon Flies and I wanted to show a process I followed to arrive at my end solutions.

Most people think the Elephant Hawk Moth got its name because of its size. Like the elephant, this moth is BIG in comparison to others. The shape of its caterpillar body is similar to the shape of an elephant’s trunk, hence the name. Usually found in the United Kingdom, they made their way to British Columbia via collections and displays.

Brock David Tebbutt, a self-taught artist born in Victoria, British Columbia, was inspired by others at the Western Front to assume a pseudonym. He changed his name to Joe Average.
He was diagnosed with AIDS at the age of 27 after which he decided to develop and live off his art. He is a self-proclaimed advocate of various charities, such as A Loving Spoonful and he has dedicated many pieces to support these causes.
Styles that influenced him were West Coast indigenous artists who use areas of colour and curving lines and by “Pop Art” which included artists such as Peter Max. Like the Elephant Hawk Moth, Joe Average is best known for his bright colours.

Joe Average

A dragonfly lives between seven and fifty-six days, so every second counts.
They can fly forwards and backwards or hover in place to catch their prey—other insects. Cultures and individuals have long appreciated images of dragonflies because of their appearance and their two sets of wings.
Dragonflies live near marshes where they find most of their food. They can often be seen flying around looking for other insects or resting on a plant that provides a platform to launch from.
Once when we were staying at St. Mary Lake on Salt Spring Island my kids brought me a perfectly intact, dead dragonfly and told me I should draw it. (I always listen to my kids.) I drew a realistic version, then created a drawing of a mechanical dragonfly constructed of metal with rivets.
Around that time, I saw a documentary in which a Chinese orchardist was pollinating plants with a feather duster because the bees that usually did this had disappeared and the gentleman was filling in for the insects.  A perfect place for mechanical insects.
Afterwards I began to explore the idea of a variety of mechanical insects, and I designed drawings, oil and acrylic paintings, soap stone carvings, card designs, and t-shirts.
I eventually wrote a book called The Red Door which was set in a post-apocalyptic world where I questioned who was the creator of all the mechanicals if the man who we thought made them was mechanical too.   

Cowbirds, which lay their eggs in others’ nests so unassuming birds raise their young—strike me as opportunistic and parasitical. Their meal-finding method is fascinating too: they eat the insects stirred up by the feet of cattle. These birds know how to take advantage and lighten their load.

It reminded me of Austin Kleon’s TED talk titled “Steal Like an Artist”. During a period when he experienced writers block, Kleon began blacking out words and lines from newspapers and arranging them into haiku like poetry. People accused him of lacking originality. However, research revealed a 250-year-old technique like Kleon’s called found poetry. Writers and artists like Tom Phillips, William Burrows, and—going back in history—Caleb Whitefoord, a contemporary of Benjamin Franklin—created works the same way. Kleon concluded with “Nothing Is Original” and “All Creative Work Builds On What Came Before” with the result that we are “Creative Kleptomaniacs”.

One of my students, whose name escapes me, started to collect magazine images of models. He painted clown faces over top. Initially I thought boredom motivated him but as I talked to him, I realized he was influenced by Red Skelton’s paintings of clown faces and the misguided value we place on models’ looks. He was parroting Kleon without knowing it.

Austine Kleon

Red Skelton

Black oystercatchers are easy to spook. They are simple to identify with their black bodies and
orange beaks and you’ll see them along the shore of rocky beaches where they hunt for the
shellfish that live there. If you have ever tried to shuck oysters you will appreciate the strength of
the oystercatcher’s beak. Oystercatchers are masters at opening oysters, mussels, and limpets for
their meals.

George Bellows, who painted at the beginning of the 20th Century, was a member of the
American Ashcan School of art and was purported to have given the name to the group. They
were non political, although many of the works showed life as it was experienced by lower- and
middle-income earners. A piece that captivated me was “Noon” which shows a New York scene
where a steam engine contrasts with a horse drawn cart. The painting is divided into light and
dark areas that are like other works Bellows created a year or two later which catch the action of
fights, such as “Stag at Sharkey’s” or “Dempsey and Fripo”. Although he painted in an Impressionistic style, his works were recognized for their realism, and he differed from the French in that he chose subjects that portrayed active, volatile aspects of city life.

George Bellows - Ashcan School of Art

Amazing Airborne A-Z presents B.C. creatures that spend at least some of their time in the air.
Some insects spend most of their time on the ground, then fly to new locations. A few moths and butterflies not indigenous to B.C. have become part of public or private collections in B.C.
Setting up a bird feeder is the best way to view Anna’s Hummingbird because they fly so quickly. Otherwise, you may only experience an impression of something whizzing by, but you may not see it because it moves so fast. The bird was named after Anna Masséna, Duchess of Rivoli, a French lady.
The male of the species has iridescent colour on its head and throat to attract the rather drab
coloured female. They head to British Columbia to mate.

Georgia O’Keeffe is a well-known American artist. In New York she met and married the photographer Alfred Stieglitz in 1924. In 1929 she bought a property in the desert around Ghost Ranch in New Mexico, an area that inspired her. She is widely respected as one of America’s top modern artists and she has created several pieces that resonate with me. I am attracted to her use of colour and shape with her abstracts plus the created floral patterns and skull images. Most of her work has clean, hard images although O’Keeffe at times lets hard edges become soft and ethereal.

Georgia O'Keeffe

The weird and wonderful creatures that make up the plankton of the Pacific Ocean were the motivation behind this image with a cage to signify the zoo. I have watched episodes on TV lately that show plankton at various locations and at depths that defy our understanding. These microscopic creatures are an important part of the food chain that provides sustenance for the much larger basking sharks, manta rays and humpback whales. These sea creatures swim with their mouths open through schools of plankton, straining their food out of the water. Small bits of plastic that mix with the plankton pose a real and immediate danger to these larger underwater creatures. Whale sharks, which can live for one hundred years, manta rays and sperm whales rely on plankton but the plastics don’t break down and can block the digestive tracts threatening death.

One of the subjects that I have been incorporating lately are whales which I see as flying through their environment the same as birds in the air. First, I create geometric shapes with stencils that I hand cut and use special brushes that are flat and round. By mixing colours and varying the amount of paint I can create a variety of shapes on either black or white paper. Later I hand paint into the stencil images adding whales and vegetation to the geometric shapes.
This technique also allows me to question what is the foreground and the background of these images as both play a role and contribute to the overall effect.

Did you get the pun with the yellow perch perching on the underwater plant?
I remember lying on a dock by St. Mary Lake on Salt Spring Island and watching perch swimming in the shadowy water below. Perch were imported and were voracious eaters that threatened the local trout, so we were encouraged to kill the perch whenever we caught one.

Andy Goldsworthy has often been called an earth artist. He works outdoors with a minimum of tools plus a camera to record his creations. He mostly uses imagination and time plus natural elements like thorns to join some items together.
Once Goldsworthy photographs them, the sculptures are left to fall apart and to return to their natural state. He has worked in the countryside of Great Britain, Australia, Japan, and the U.S.A. He has written many books about his art. His creations are motivating for students as many of his works show a strong environmental concern. When I taught photography and Art 12, I sometimes sent students to the ravines around North Delta with nothing other than a pocketknife and a camera. I was always excited to see what they would produce.

Andy Goldsworthy